A Life Supreme
This post was written with a different purpose, but it’s up here for now. It’s Trane’s birth aniversary and inkeeping with last year, here is the tribute. It’s similar to what I wrote previously.
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“I would like to bring people something like happiness. I would want to discover a method so that if I want it to rain, it will start right away to rain. If one of my friends is ill, I’d like to play a certain song and he will be cured…”
-John William Coltrane
Coltrane did all that and much more.
Not many think of Coltrane as a freedom fighter, like one does of Martin Luther King or Gandhi, though he was perhaps the most melodious proponent of the freedom movement. As the civil rights movement reached its peak in the sixties, Coltrane expressed it through his music which critics often called “angry”. His solos were long, relentless and at tempos at which often the musicians and the audience failed to keep up. It was as if he was playing for a different purpose all together. Like if he broke free from the traditional chord changes and scales of modal jazz, his improvisations would simultaneously make the world free. And perhaps he did.
Coltrane’s upbringing was typically southern and religious, as he was born to a family of ministers in Hamlet, North Carolina. Not surprisingly, he grew up a victim of racial segregation. In 1943 he moved to Philadelphia and played blues and jazz standards for the Navy Band. One of the main influences on Coltrane was Charlie Parker and he later went on to play with Monk, Gillespie and Ellington.
While Coltrane played with many “cats” as a side man, his first big break came when Sonny Rollins, a tenor player and close friend, refused to join Miles Davis’ Quintet perhaps just to give Coltrane the break. During this period both Davis and Coltrane experimented with free jazz, and jazz critic Gitler called Coltrane’s style “sheets of sound”; to describe the short, fast-paced solos which felt more like cascades. In 1959 Coltrane recorded Kind of Blue with Davis , perhaps the most lyrical jazz album ever written, and Coltrane came to be recognized as a leader in free jazz. Soon he left Davis and led his own extraordinary quartet with McCoy Tyner, Elvin Jones and Jimmy Garrison in 1961.
Ellington, with whom Coltrane recorded in 1962, often dismissed the concept of modern jazz. He felt there were two kinds of players; the individualists and the hundreds who follow the music shaped by one man. Coltrane was perhaps one of the most influential individualists jazz has seen. Giant Steps and Mr. PC have so many chord changes and progressions played at unimaginable tempos that it forever changed the way jazz was written.
No one worked as hard as Coltrane to find a new and fresh sound. So hard, that his playing was often dubbed loquacious and redundant by many. It is now folklore that Trane, as he was affectionately called, would be so impatient to play that he would leave the bandstand after completing a solo and continue to play in the men’s room allowing other members to complete their solos and return to play without a break. However, a favourite with Davis , who once said “I didn’t understand this talk of Coltrane being difficult to understand. What he does is to play five notes of a chord and then keep changing it around, trying to see how many different ways it can sound. It’s like explaining something five different ways”.
Coltrane’s adaptation of the famous Sound of Music track, My Favourite Things in 1961 is far superior to the original slow waltz sound. In Afro Blues Impression Live version of My Favourite Things one can hear joy, anger, impatience, rain, freedom, calm and melancholy, achieving exactly what he set out to do. But his most insurmountable work came in 1964 with A Love Supreme which was an expression of his discovery of spirituality and his devotion to God. With its four parts, Acknowledgement, Resolution, Pursuance and Psalm, music and religion became one. With this one expression, Coltrane wanted to “speak to their souls”.
September 23rd is like any other autumn day except; he Sun is at one of the two points on the celestial sphere where the celestial equator and the ecliptic intersect and astronomically the autumnal equinox makes the day and night equal; and one of the greatest jazz musicians was born eighty one years ago.
While the equinox is about equilibrium, everything about Coltrane was excessive. He had to play every chord and note known. He overdosed on sugar, alcohol, heroin and eventually LSD. Even spirituality was excessively experimented as he tried to embrace all religions like Islam, Hinduism, Buddhism, and the Kabbalah and even took up yoga, vegetarianism, astrology and philosophy.
Yet through his composition Equinox he leaves his listeners with joy, calm and a sense of freedom; and all that he sought in his own torrid musical journey.
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